Poem

Burn

Back in college,
My roommate and I had a mouse problem.
One time, he found a nest of baby pink mice and
Threw them like tiny pieces
of wet bubble gum into the fireplace.
As each one would fly into the cinders and flames,
I could see them flash like exploding matchheads;
making my own skin blister and itch.
When I was six, I put my entire right hand under
my father’s barbeque and the callous pads of my fingers,
worn from climbing over fences and digging under the trees’ roots,
stuck to the black metal as I pulled away.
I watched the flesh melt like wax and drop liquid fire
into the rabbit cage below.
The hot skin landed on the rabbit, and the animal’s scream,
so foreign, painful-
forced me to cry.
I never did tell my parents what happened.
Years later, when I told our neighbor,
Jacob Foer, how we rid the mice,
he looked at me with a rabbit’s voice, a small creature
that only makes noise when it screams, by instinct.
My roommate burned those mice, and I said nothing.
My apathy salutes while genocide is justified by fallacious logic.
“How else were we going to get rid of the mice, Aaron?”
Jacob does not talk
to me anymore.  It must be his innate instincts passed onto him
by his descendents.
And now, I itch to be heard.  There is a wailing rabbit
in a cocker spaniel’s mouth inside me.
It is so overbearing that people leave open mics,
but it’s still screaming, because when we are quiet,
we itch.  We are clawing our skin to create holes
to sing through.  That’s why we scratch
our heads when we are thinking.
We just need to get the ideas out
before they burn us alive.

From: Chainsawsmoking: Poems Wrapped in Cellophane

Summary

“Burn” by Aaron Hopkins-Johnson is a poem centered on family, identity, aging. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.

Analysis

Voice

A personal, first-person speaker combines recollection with direct emotional address.

Style and form

The poem is first-person. The poem moves by accumulation: images, references, and tonal turns build on one another, so meaning emerges from their relationships as much as from narrative sequence.

Themes and imagery

Its strongest thematic currents include family, identity, aging. Concrete images give those abstractions physical weight, while changes in diction and pace keep the poem from settling into a single emotional register.

Reading the poem

A productive way to read “Burn” is to watch how its images change function as the poem progresses. Details that initially establish scene or memory become emotional evidence. The result is a poem whose argument is carried through association, rhythm, and image as much as through explicit statement.

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Source & rights

Source: Chainsawsmoking: Poems Wrapped in Cellophane (Lawn Gnome Publishing, 2016)

Rights: © 2016 Lawn Gnome Publishing. All rights reserved.