Poem

Divided States of OZ

Our nation had been duped by Trump

The political wizard with a big rump

Fully engaged with the haves, ignoring the have nots

It seems he has a most intricate plot

A runaway train unable to stop

The yellow brick road has led to an ivory tower

It was once the white house

Believe me, I'd rather have a Bush or Clinton

Carter, Obama or Lincoln

We would have a greater chance

Than this Mad Hatter and his tragic stance

His idea of "making us greater" simply means

He longs to be a dick-ta-tor

Taking away programs to help those in need

Taking away jobs from families

Indeed, his pockets are full

He spewed lots of bull

Bringing racism back from life support

A jester with a political court

Could it be our democracy has become a global joke?

I can only hope that I awaken from this nightmare

Can we elect someone who will at least care?

Are you somewhere out there?

I am not Dorothy nor I desire applause

I'm simply an American, trying to wake up

From the Divided States of OZ

From: Uptown Déjà Vu

Summary

“Divided States of OZ” by Jimmie Ware is a poem centered on social justice, nature, travel and movement. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.

Analysis

Voice

A personal, first-person speaker combines recollection with direct emotional address.

Style and form

The poem is line-driven, first-person. The poem moves by accumulation: images, references, and tonal turns build on one another, so meaning emerges from their relationships as much as from narrative sequence.

Themes and imagery

Its strongest thematic currents include social justice, nature, travel and movement. Concrete images give those abstractions physical weight, while changes in diction and pace keep the poem from settling into a single emotional register.

Reading the poem

A productive way to read “Divided States of OZ” is to watch how its images change function as the poem progresses. Details that initially establish scene or memory become emotional evidence. The result is a poem whose argument is carried through association, rhythm, and image as much as through explicit statement.

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Source & rights

Source: Uptown Déjà Vu

Rights: Copyright controlled by the rights holder. Published here with permission.