Poem archive
Read poems by Arizona and Southwestern writers, plus classic work preserved in the AZPoetry literary archive.
Search by poem title, poet, or a phrase you remember. Each archive page is designed to lead readers toward more poets and related work.
2026
“WITH WILL THERE WAS ALWAYS A WAY” by Michael C. Ford is a poem centered on place and geography, memory, love and relationships. Its imagery is anchored in California. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“GREYHOUND” by Michael C. Ford is a poem centered on place and geography, love and relationships, social justice. Its imagery is anchored in California, Glendale, California. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“I'm Going Through” by Jimmie Ware is a poem centered on love and relationships, family, identity. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“50 Deep Breaths” by Jimmie Ware is a poem centered on memory, love and relationships, family. Its imagery is anchored in Arctic Ocean. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Time” by Jimmie Ware is a poem centered on love and relationships, family, nature. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Uptown World” by Jimmie Ware is a poem centered on place and geography, love and relationships, family. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Untitled (“Some days I need to be baptized by the beat”)” by Jimmie Ware is a poem centered on love and relationships, music, identity. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Reigning Men” by Jimmie Ware is a poem centered on place and geography, love and relationships, social justice. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“In this Surreal Moment” by Jimmie Ware is a poem centered on love and relationships, family, music. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“UPTOWN” by Jimmie Ware is a poem centered on place and geography, memory, love and relationships. Its imagery is anchored in Chicago, Uptown Chicago. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Poems 4 Prince” by Jimmie Ware is a poem centered on memory, love and relationships, music. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Prince Matters” by Jimmie Ware is a poem centered on love and relationships, music, travel and movement. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“IJS” by Jimmie Ware is a poem centered on place and geography, memory, love and relationships. Its imagery is anchored in Alaska, Lake Michigan. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Prophets in Paradise” by Jimmie Ware is a poem centered on memory, love and relationships, music. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Kitchen Conversations” by Jimmie Ware is a poem centered on memory, love and relationships, family. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“I'm Down” by Jimmie Ware is a poem centered on love and relationships, family, music. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Wonder of Woman” by Jimmie Ware is a poem centered on love and relationships, family, identity. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Gratitude, For My Griots” by Jimmie Ware is a poem centered on love and relationships, social justice, aging. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“How the Lightning Sings” by Aaron Hopkins-Johnson is a poem centered on arizona, place and geography, memory. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Epiphany” by Aaron Hopkins-Johnson is a poem centered on love and relationships, family, music. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“jigsaw” by Aaron Hopkins-Johnson is a poem centered on love and relationships. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Alzheimer’s Poetry Project” by Aaron Hopkins-Johnson is a poem centered on memory, love and relationships, music. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“The Things That Break While Moving” by Aaron Hopkins-Johnson is a poem centered on arizona, place and geography, love and relationships. Its imagery is anchored in Phoenix. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Astronaut” by Aaron Hopkins-Johnson is a poem centered on memory, love and relationships, family. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Punctuated Lips” by Aaron Hopkins-Johnson is a poem centered on love and relationships, mortality and loss, aging. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“When You Said I Wasn’t Perfect, You Were Right.” by Aaron Hopkins-Johnson is a poem centered on love and relationships, family, music. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Lefty” by Aaron Hopkins-Johnson is a poem centered on place and geography, love and relationships, family. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“Bananas” by Aaron Hopkins-Johnson is a poem centered on love and relationships, music, mortality and loss. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“ANOTHER SONG” by Michael C. Ford is a poem centered on place and geography, love and relationships, music. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“A FEW BARS ON A BAR-ROOM PIANO” by Michael C. Ford is a poem centered on place and geography, love and relationships, family. Its imagery is anchored in Los Angeles, California. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“THE ROCKIES ARE NOT THE ONLY THINGS THAT END IN EL PASO” by Michael C. Ford is a poem centered on place and geography, memory, love and relationships. Its imagery is anchored in El Paso, Mexico. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“YESTERDAY I SAW PENELOPE B” by Michael C. Ford is a poem centered on place and geography, love and relationships, mortality and loss. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“AMNESIA IN MEMORY MANOR” by Michael C. Ford is a poem centered on place and geography, memory, love and relationships. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“SUNRISE HIGHWAY” by Michael C. Ford is a poem centered on place and geography, love and relationships, nature. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
2026
“BLUES BOUTS-RIMES TO BILLIE HOLIDAY” by Michael C. Ford is a poem centered on love and relationships, music, mortality and loss. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.
