Poem

Prophets in Paradise

I know their jobs were well done before the setting of their suns

They cared for others not merely themselves

They marched to global drums, penned redemption songs

Worked hard to right the wrongs

Malcolm was a changed man before he reached the Promised Land

Marley taught us about Babylon and love through song

He never gave up the fight like a true Buffalo Soldier

Dreadlocked Rasta

These three kings left an unforgettable legacy of love

Triple Diamonds in a midnight sky

Remember to be human, love conquers all

In spite of harsh times and hateful crimes

We have the power to be divine

My heart beats for the rhythm of your life

We cannot fall prey to climate of ignorance and despair

Perhaps life isn't always fair but why can't we share the good

If you reside in a palace or a hood

Do what you should to ease pain

Stop the rain embrace the sun

Open your heart and help some one

From: Uptown Déjà Vu

Summary

“Prophets in Paradise” by Jimmie Ware is a poem centered on memory, love and relationships, music. The poem develops its subject through recurring images and shifts in emotional pressure rather than reducing the experience to a single statement.

Analysis

Voice

A personal, first-person speaker combines recollection with direct emotional address.

Style and form

The poem is musically inflected, line-driven, first-person. The poem moves by accumulation: images, references, and tonal turns build on one another, so meaning emerges from their relationships as much as from narrative sequence.

Themes and imagery

Its strongest thematic currents include memory, love and relationships, music, aging. Concrete images give those abstractions physical weight, while changes in diction and pace keep the poem from settling into a single emotional register.

Reading the poem

A productive way to read “Prophets in Paradise” is to watch how its images change function as the poem progresses. Details that initially establish scene or memory become emotional evidence. The result is a poem whose argument is carried through association, rhythm, and image as much as through explicit statement.

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Source & rights

Source: Uptown Déjà Vu

Rights: Copyright controlled by the rights holder. Published here with permission.